Jamie Johnson, heir to the Johnson & Johnson fortune, used to be an accepted member of the New York elite, with a trust fund, a top education and loads of old-money friends. Now, thanks to his film career, he's not as welcome. I'll walk into a social event where there are a number of people who I grew up with and they'll treat me apprehensively," says Mr. Johnson, 28. His relationship with his family, especially his father, has also cooled. "There was a sense that 'If you go too far with these [films], you won't be welcome in your own home,'" he says. Mr. Johnson is getting used to being an outcast among the upper class. After the 2003 release of his first film, "Born Rich," which looked at the lives of the silver-spoon set, and now his second, "The One Percent," which focuses on the American wealth gap, Mr. Johnson has become the rich man's Michael Moore -- a trust-fund populist who's not afraid to attack the wealthy and powerful. While his wealth has helped him gain access to the people he's filming, it's also carried personal costs. He has learned the hard way that the biggest betrayal for the rich is to talk publicly about their riches. "I think most wealthy people want to live with this myth of equal opportunity and equality in this country," he says. "I don't think they want to question their right to this wealth." With "The One Percent," Mr. Johnson wanted to show ... that today's wealthy have become an increasingly isolated elite. He says rather than using their wealth for good, they have used it to restructure the economy, lower their taxes, cut social programs for the middle and lower classes, and amass ever more wealth. "We have an aristocracy in this country that has convinced everybody else that they don't exist," Mr. Johnson says.

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