Inspiring: Power of Art News Articles
Below are key excerpts of inspiring news articles on the power of art from reliable news media sources. If any link fails to function, a paywall blocks full access, or the article is no longer available, try these digital tools.
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The Earth is humming. Singing. Its song is ethereal and mystifying and very, very weird a rather astonishing, newly discovered phenomen[on] that's not easily analyzed, but which, if you really let it sink into your consciousness, can change the way you look at everything. Scientists now say the planet itself is generating a constant, deep thrum of noise. No mere cacophony, but actually a kind of music huge, swirling loops of sound, a song so ... low it can't be heard by human ears, [roars] churning from the very water and wind and rock themselves, countless notes of varying vibration creating all sorts of curious tonal phrases that bounce around the mountains and spin over the oceans and penetrate the tectonic plates and gurgle in the magma and careen off the clouds and smack into trees and bounce off your ribcage and spin over the surface of the planet in strange circular loops. It all makes for a very quiet, otherworldly symphony so odd and mysterious, scientists still can't figure out exactly what's causing it or why [it's] happening. Sure, sensitive instruments are getting better at picking up what's been dubbed "Earth's hum," but no one's any closer to understanding what ... it all might mean. Mystics and poets and theorists have pondered the "music of the spheres" (or musica universalis) for eons; it is the stuff of cosmic philosophy, linking sacred geometry, mathematics, cosmology, harmonics, astrology and music into one big cosmological poetry slam.
Note: Not only does the Earth hum, but the Sun sings! Listen here. For deeply revealing reports from reliable major media sources on the nature of reality, click here.
Earl Moore remembers the day his father walked out. Moore discovered the power of opioids to take that pain away while attending college at the University of Kentucky in Lexington. Moore's addiction lasted more than 15 years - before he finally found the help he needed. It was a nightmare odyssey that led him to steal his grandmother's cancer pain medication and his police officer brother's ATM card to pay for pills. Not until Moore says he found a 12-step program and a mentor who showed him the art of building stringed instruments - did he find the self-love and confidence that turned his life around for good. Moore was trying to get clean yet again in 2012 when he heard a master luthier - an expert stringed-instrument maker - was coming to his hometown of Hindman, a tiny hamlet nestled in the lush mountains of Eastern Kentucky. Moore had been doing carpentry, building cabinets and had a love for guitars. Moore found himself in Naselroad's wood shop nearly every day learning how to craft guitars from Appalachian native hardwoods in a town where the mountain dulcimer was first made in the late 1800s. "Music has always been a part of this community ever since pioneer days," said Naselroad. What started out as a one-year apprenticeship became a six-year journey that brought Moore back to life. Since he began, Moore has made more than 70 instruments. He's sold many of them and kept others. Moore's success inspired the creation of the "Culture of Recovery" arts program at The Appalachian Artisan Center.
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Outside of a library in Cambridge, Massachusetts, an over-80-year-old copper beech tree is making music. As the tree photosynthesizes and absorbs and evaporates water, a solar-powered sensor attached to a leaf measures the micro voltage of all that invisible activity. Sound designer and musician Skooby Laposky assigned a key and note range to those changes in this electric activity, turning the tree’s everyday biological processes into an ethereal song. That music is available on Hidden Life Radio, an art project by Laposky. Hidden Life Radio also features the musical sounds of two other Cambridge trees: a honey locust and a red oak. After he read the book The Hidden Life of Trees ... Laposky thought to tune into the music trees could be making. The name Hidden Life Radio was inspired by that book, written by German forester Peter Wohlleben, which details the social networks and “sentient” capabilities of trees. “Most people probably love trees and [still] don’t consider them all the time,” Laposky says, noting a condition called “plant blindness,” in which people fail to notice the flora in their own environment. “In cities, the trees are there, but unless they’re providing shade or you’re picking apples from them, I feel like people don’t necessarily consider trees and their importance.” Tree canopies are crucial to cities, providing shade that can lower summer temperatures significantly, reducing air pollution, sequestering carbon, and providing a mental health benefit.
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The sounds of a classical guitar come from two big jelly cans. Used X-rays serve as the skins of a thumping drum set. A battered aluminum salad bowl and strings tuned with forks from what must have been an elegant table make a violin. Bottle caps work perfectly well as keys for a saxophone. A chamber orchestra of 20 children uses these and other instruments fashioned out of recycled materials from a landfill where their parents eke out livings as trash-pickers, regularly performing the music of Beethoven and Mozart, Henry Mancini and the Beatles. Word is spreading about these kids from Cateura, a vast landfill outside Paraguay's capital where some 25,000 families live alongside reeking garbage in abject poverty. The youngsters of "The Orchestra of Instruments Recycled From Cateura" performed in Brazil, Panama and Colombia this year, and hope to play at an exhibit opening next year in their honor at the Musical Instrument Museum in Phoenix, Ariz. "We want to provide a way out of the landfill for these kids and their families. So we're doing the impossible so that they can travel outside Paraguay, to become renowned and admired," said Favio Chavez, a social worker and music teacher who started the orchestra. Paraguayan documentary filmmaker, Alejandra Amarilla Nash ... and film producer Juliana Penaranda-Loftus have followed the orchestra for years, joining Chavez in his social work while making their film "Landfill Harmonic" on a shoestring budget. The documentary is far from complete. But last month, the filmmakers created a Facebook page and posted a short trailer on YouTube and Vimeo that has gone viral, quickly getting more than a million views altogether.
Note: For an inspiring 12-minute video of the amazing landfill harmonic orchestra, click here. For a treasure trove of great news articles which will inspire you to make a difference, click here.
John Bramblitt believes he could draw before he could walk. Art was also his way of coping with spending much of his childhood in the hospital. After experiencing his first seizure at age 2, Bramblitt was diagnosed with severe epilepsy. After each seizure, his vision would remain blurry for a while, but then it would clear up. What neither he nor his doctors realized was that his vision was decreasing each time. In his mid-20s, while attending college for the second time at the University of North Texas in 2001, he received the news that he would lose the rest of his vision. There was nothing doctors could do to stop it. He was completely blind by the time fall semester began. When he was alone, he felt like he was losing his mind. That's when he remembered the joy he used to gain from creating art. He began by trying to draw simple shapes, but would feel his pencil run off the paper. Bramblitt realized he needed to create a structure to follow. Fabric paint, which would create raised lines as it dried, became his new pencil, and he used oil paints to bring the paintings to life. He used [touch] to "see" what he wanted to paint and to distinguish between oil paints, because each color had a different viscosity and texture. Encouraged by the way it made him feel, he would paint for hours every day. Over the years, Bramblitt has connected with charities and started a series of workshops for artists with and without sight, young and old. He believes art should be something everyone can connect with. After all, art changed his life.
Note: Don't miss the incredibly inspiring one-minute video of this inspiring blind artist.
John Bramblitt of Denton, Texas, lost his vision 13 years ago due to complications with epilepsy and plunged into a deep depression, feeling disconnected from the world around him. He found a new way to express his experience of the world around him in painting however. Bramblitt learned to distinguish between different coloured paints by feeling their textures with his fingers, taught himself how to paint using raised lines and harnessed haptic visualization, enabling him to "see" his subjects through touch. While many of his portraits are taken from events in his life he experienced while sighted, he has also produced life-like paintings of people he's never actually seen, including his wife and son. Art was always a big part of his life but took on a new importance following his blindness. "Art reshaped my life," he said. Whilst continuing to create new works, Bramblitt teaches art workshops focusing on adaptive techniques for young artists with disabilities, for which he has received three Presidential Service Awards. You can buy originals and prints of John's work here.
Note: Don't miss the incredibly inspiring one-minute video of this inspiring blind artist.
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